
Sabrina Oggero Viale
Singer, songwriter, vocal researcher, and certified teacher at the Lichtenberger Institut (DE).
She has been active on the Italian and international music scene for about twenty years. After graduating in Jazz Vocals in Italy, her talent was also recognized abroad by the Berklee College of Music in Boston, which offered her two scholarships (2012 and 2013). Her vocal style is not purely jazz; rather, it is influenced by Brazilian music, Italian song, wild rock, and possesses an authentic matrix of folk tradition.
She performs in clubs and at Italian and European festivals such as A L’Arme (Berlin), Roode Bioscoop (Amsterdam), Matrix (Rotterdam), Torino Jazz Festival, Festival Letture d’Estate in Rome, Torino Jazz Club, Biella Jazz Club, Festival Alta Felicità, Combin En Musique, Chamoisic, Met Jazz Fest, Miasino Jazz Festival, the National Museum of Cinema in Turin, and the Egyptian Museum in Turin.
She has collaborated with the ensemble Lapsus Lumine, the duo Always Dare with Alberto Marsico on the Hammond organ, Loris Deval’s Passi Project, and other prominent artists including Ernst Reijseger, Jim Black, Marta Del Grandi, Stefano Risso, Giulia Deval, Maurizio Brunod, Erika Sofia Sollo, Fabio Giachino, Riccardo Mazza, Vincenzo Vasi, and others, for both live concerts and recording projects.

Loris Deval
Italian guitarist and composer, he began playing as a young boy.
He undertook studies in electric and classical guitar under various teachers, developing a passion for jazz and bossa nova over the years. A guitar instructor since 1999 at various musical associations, he recorded his first solo guitar album in August 2005 titled “…rien ne va plus,” produced by the Tecno-Sound recording studio in Bologna.
He has participated in numerous instrument and composition seminars with Scott Henderson, Ralph Towner, Frank Gambale, Ferenc Snétberger, etc.
He collaborates with various folk, rock, and reggae groups, including Turin’s “La Paranza del Geco” and “Talkin Drum,” a band with which he recorded an album in 2007 (Il Jolly matto).
He formed his own new quartet (“Lorelei Quartet”), recording an album of original compositions in 2011 (SETA), produced and distributed by the jazz label “Dodicilune.”
He has performed musical “readings” with several renowned actors and writers, including Neri Marcorè. In 2018, he recorded a unique album centered on soundtracks with Brazilian percussionist Gilson Silveira, Viden Spassov on double bass, and violinist Anaïs Drago (Obamundo Project). In 2020, he recorded a quartet album with trumpeter Bruno Martinetti, guitarist Maurizio Brunod, and singer Sabrina Oggero Viale (Passi – Caligola Records). Atlantic Quartet is a very distinctive musical project formed by two well-known Brazilian musicians, Marco Lobo on percussion and Federico Puppi on cello, and two Italian musicians, Maurizio Brunod and Loris Deval on guitars.
He has performed numerous concerts in various formations across Italy and abroad in cultural clubs, jazz clubs, and festivals.

Tiziano Codoro
Active in the music scene for over twenty years.
Having graduated in Jazz Trumpet from the Giuseppe Verdi Conservatory in Milan under Maestro Alberto Mandarini, he followed his passion for research, exploring and working as a sideman in various musical genres—from pop to rock, jazz to hip-hop and neo soul—creating his own unique sound and style.
He has accompanied and collaborated with numerous artists across various genres, including Giorgia (Oro Nero Tour), Pee Wee Ellis, Sheila Jordan, Fabrizio Bosso, Paolo Fresu, Joe Locke, Arya, Roberta Gentile, Alberto Mandarini, Giovanni Falzone, Mario Zara, Naima Farò, Loris Deval, Maurizio Brunod, The Sweet Life Society, Chicago Stompers, Olly Riva, Shandon, Antani Project, Mamud Band, Orchestra di Via Padova, and Encephalofu[n]k.
In the field of musical theater, he has also collaborated with the productions Priscilla, Queen of the Desert (Ciak and Arcimboldi theaters) and Dirty Dancing (Teatro Nazionale, Milan), and took part in the artistic project Triumphs and Laments by South African artist William Kentridge, featuring compositions and arrangements by Philip Miller.